Lock & Key: Sophia Stoller MFA Thesis
- Performing & Visual Arts
- Sharon Disney Lund Dance Theater, Santa Clarita CA
Blink is an MFA 2 Dance Thesis concert by choreographer, Daniel Charon. It is a multi-media dance theater piece set in a world where time fractures, folds and unfolds for seven people navigating a warped and variable reality created by their discreet and interconnected stories. The disjointed moments of their lives, distorted in scale, hold the characters apart, bind them together, or confine them in their own minds. Weaving together images from dreams and memories, Blink uses live video projections, multi-source sound design and off-center, highly charged dancing to present a world where nonsense makes perfect sense, and time is a relentless driving force. Created in collaboration with Jeff Aaron Bryant (MFA 3 music technology), Christopher Heilman (MFA 2 scenic design), David Moyer (MFA 2 costume design), Daniel Jackson (MFA 1 Video for Performance) and Daniel Norman (BFA 2 lighting design). Performances will be held in the Sharon Disney Lund Dance Theater at CalArts on Friday, March 1st at 8:00 pm and Saturday, March 2nd at 7:00 pm & 9:00 pm.
To gain entry to the event, please bring your printed EVENTBRITE Ticket purchase confirmation to
the CalArts Box Office at least 15 minutes before curtain to redeem your tickets. The confirmation
sheet DOES NOT allow entry to an event.
YOU MUST CHECK IN WITH THE CALARTS BOX OFFICE TO REDEEM YOUR EVENT TICKETS.
The CalArts Box Office is located in the lobby of the 3rd floor entrance to the CalArts campus near the Main Gallery and Switch Board.
Unclaimed tickets will be released 15 minutes before curtain.
****When performance is SOLD OUT****
In the event this production is reserved to capacity; additional tickets may become available
through RUSH at the CalArts Box Office on the DAY of the event.
The RUSH list begins 90 minutes (1½ hours) before curtain at the CalArts Box Office.
Please come to the Box Office at this time to sign up for the RUSH waiting list.
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