Richard Shiff, who has written about Richard Tuttle’s work and interviewed the artist publicly, addresses the philosophical and perceptual aspects of “awareness” in Tuttle’s art. Shiff’s publications include Cézanne and the End of Impressionism (1984), Barnett Newman: A Catalogue Raisonné (co-authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954–1962 (2014).
Presented in conjunction with Richard Tuttle: A Print Retrospective.
Questions? Please contact Christine Piontek at email@example.com or (207) 725-3276.
Free and open to the public.
Photo: Richard Shiff